Evolution of the Genre of the Piano Concerto

The paper outlines the features of emergence and development piano concerto on its way towards drama from a historical perspective, analyses specific genre nature, reveals types concerto’s dramaturgy differing one another in form style interaction between soloist orchestra. demonstrates that followed path an individual performer principle, afterward dialogical balance orchestra part, which was determined by degree composers’ innovative achievements dominant aesthetic paradigm. In terms highlighting specificity orchestral music, compositional-analytical approach proved to be productive. analysis revealed movement perspective uneven with occasional drifts so-called “style brilliant.” Depending type drama, correlation solo changed. 20th century, due radical transformation cultural paradigm, restructured; composers abandoned traditional forms tried create project for each work. study indicates parameters change genre, form, under influence newest paradigm time: repudiation forms, creation hybrid such as“anti-genre,” “hypergenre,” or complete negation project.